GCHQ |
There is, of
course, George Orwell’s 1984,
with its anticipation of the State’s total surveillance machine. On a smaller
scale, Jeremy Bentham’s Panopticon has long been used as a metaphor for surveillance
systems (Foucault, Zuboff) and many see the Internet as a form of modern
Panopticon. In The Handmaid’s Tale
by Margaret Atwood, “the omnipresence of Eyes, Angels, Guardians, and Aunts—all
agents of state sponsored repression—evoke an atmosphere of constant
surveillance and social control in which biblical mandate, fascist tactics, and
technology are all merged” (http://www.enotes.com). And in Philip K. Dick’s A Scanner Darkly, “the little people
are trapped in a total surveillance state where hologram cameras are routinely
used, every pay phone is tapped, supersonic tight beams are used for police
assassinations, and the closest friends inform on each other” (Darko Suvin, New Boundaries in Political Science Fiction).
Some of you may have seen Richard Linklater’s 2006 film adaptation, with Keanu
Reeves as Arctor/Fred.
Think of more dystopian/utopian fiction on total surveillance?
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